A new documentary series is exposing the “techspeak” of the music business, and it’s not pretty.
The music industry, with its emphasis on innovation and growth, is being forced to deal with a world where “a lot of the things we learned from the ’90s are not going to be possible any more,” said Peter Singer, CEO of the National Endowment for the Arts, in a statement.
This year, the National Science Foundation and the MacArthur Foundation have announced $50 million in grants for tech companies to create programs aimed at addressing the cultural and economic issues facing the sector.
The New York Times recently highlighted the importance of the “art-rock divide,” where musicians are divided into two groups: artists who “believe in and advocate for the power of art and its cultural significance, and artists who believe that there are no limits to what art can accomplish” (and have a very large and influential audience).
The documentary series “Songs of Tech” explores the intersection between technology and music.
The film features an eclectic collection of artists, from indie rockers like Sia to indie rock acts like Dua Lipa and Tame Impala to pop-punk band Queens of the Stone Age.
The aim of the series is to provide an accurate, non-judgmental look at what’s happening in the tech world.
“What is happening with technology is a crisis,” Singer said.
“And it’s an urgent crisis because there’s a lot of money to be made in the technology industry.”
For Singer, who also runs the Center for Digital Music Education, the documentary series provides a timely look at the music world, which is in a state of crisis.
“We’re in a crisis.
And it’s a crisis that I think is going to have a lasting impact on the music community,” he said.
While the tech industry has become more mainstream in recent years, there’s still a lot going on within it, he said, and “there’s a long way to go before that conversation is really viable.
We need to have that conversation, and we need to start doing it with the people who are actually making the music.””
I don’t think it’s the technology that’s going to solve this,” Singer added.
“It’s the culture that’s so deeply entrenched that we’re not even able to start thinking about that.”
He added that “art rock” isn’t an inherently bad thing.
“We can be a little bit cynical about the industry as a whole, but it’s still an industry that’s driven by innovation and creativity.”
As we get closer to the holidays, here are 10 things to do with tech and music:1.
Start thinking about how the music of your favorite artists might be affected by technology.
Singer said the film series was inspired by the recent passing of music icon Bob Dylan.
Dylan, who is best known for his work as a solo artist, died at the age of 69 in May.
The filmmaker noted that “people don’t really talk about what Dylan means, because it’s so iconic, and so influential.”
“That’s one of the ways in which this film is really important,” Singer explained.
“What he said is, ‘It’s not that people don’t understand what he meant, but they don’t appreciate what he means.
So it’s time to bring him back to the forefront.'””
If you can take the essence of Bob Dylan, which he never had, and give it a new meaning, and try to put that in music, and the whole thing of the way he used music, then you have an opportunity to make it more relevant to people,” he continued.
“He could be heard all over the world, but there’s no music about him.
So the film has to be about his legacy.”2.
Learn about the rise of “techno-futurism,” the new wave of music that started in the early 2000s.
The term “futuristic” refers to a movement that began in the late 1990s and has been gaining momentum since, especially after the release of “Star Wars: Episode VI — Return of the Jedi” in December.
The trend of “futsurism” was first explored by the artist Björk in 2014, who was inspired to write a song about the film because it “exchanged the sense of reality in a way that we’ve never seen before.”
While “fursuit” has become synonymous with a fashion trend, futurism is actually a term for the cultural phenomenon of the digital era, which Singer said is creating a “digital dystopia.”
Singer said that there’s an “overwhelming amount of hype about this new world of technology” that is “destroying our culture and our economy.”
“There’s a kind of utopian, utopian vision of what’s going on, and that’s what we’re going to see,” Singer